Mari Shimazaki tried to make the witch Bayonetta more appealing with longer limbs and adjusted proportions. (Photo credit: Wikipedia)
I was expecting to write this post telling readers all about Episodes 1-4 of The Devil Is A Part Time, but instead our host Rommel S. pulled a switcheroo on us and treated us instead to an exclusive advanced screening of the new Bayonetta movie!! While I was looking forward to The Devil Is A Part Timer, it is in fact screening WITH the English dub on Netflix as of this writing. So I can watch it anytime, in fact. Currently I'm back to watching Fairy Tail, and I'm also part-way through Psycho-Pass. I was pleasantly surprised to get to watch Bayonetta this evening, having only just today heard it talked about on the most recent episode of ANNCast with Zac & Justin. Apparently FUNimation was very flexible with this production and went out of their way to call back the original voice actors from the original SEGA video game, including sending the ADR Director to the UK to track down the English voice actor for Bayonetta and record her dialogue at a sound studio in England, conducted over the course of 12 days. I was very impressed with the visuals of this movie, which is non-stop action, never a dull moment. I have no experience with the video game or its fictional world, but the movie does a decent job of exposition via dialogue that I caught on fairly quickly who the principle players were, etc. I never once felt confused or disoriented. The "angels" of this world reminded me in passing of the menancing nature of the "angels" of Neon Genesis Evangelion, and to a lesser degree some of the visual motifs of RaXephon, as well. I was unclear if Witch Jean was intended to be a nodding reference to Jean D'Arc (Joan of Arc) or if that nomenclature was merely coincidence.
This is a definite Blu-Ray collectors' item, if nothing else for the intense battle sequences alone, of which this movie delivers in spades. Unlike the Blood C movie, which had serious pacing problems, the pacing in Bayonetta moves along at an even clip with no drag whatsoever. It feels like watching a successful play-through of a medium sized video game. The story is ostensibly set on earth, but the countries are fictional and it also takes place partly in certain terra incognitae astral realms outside of normal space-time. The angels are invisible to ordinary humans but can wreak havoc on the physical world nonetheless.
It's difficult to really talk about this film without spoiling it; those that know the videogame already know the story. I came into the theater a blank slate and was reasonably entertained by the spectacle. It is rated TV-MA but mostly for the graphic violence and some of the heavy sexual overtones and fanservice, but there's very little in the way of overt nudity. It's provocatively sexy but hardly "smutty". Bayonetta as a character is larger than life and over the top. She's an unruly demigod with a strong will of her own. The entire movie is basically watching Bayonetta kick ass, over and over again. My only criticism of the movie is that Bayonetta is basically female Superman who never has to confront any metaphorical "kryptonite". She never suffers, never endures any defeats or setbacks. She's perhaps a little too perfect as a cinematic hero. I like to see my heroes and heroines suffer and struggle a little on the way to attaining their goal. I suppose one could argue that in her past she knew defeat and suffering, but we only get that in glimpses and flashbacks. Again, it's damn impressive in its visuals, and it's nearly enough to bamboozle the audience into overlooking Bayonetta's indestructability and lack of empathy for nearly any of the other characters. The ADR script was witty, with plenty of amusing one-liners that provoked laughter in the audience tonight. I would definitely re-watch this movie, and it piqued my interest in the videogame franchise as well.
My thanks to our host R.S. once more for securing this special advance screening for us at Alamo Drafthouse Mason Park in Katy, Texas.
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